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Recording:
  Love At Absolute Zero  
 
Artist:
  My Favorite  
 
Label:
  Double Agent  
 
Release Date:
  1999  
 
Reviewed by:
  PostLibyan  
         
 
Rating:
   
         
 
Review:
 

In a video that i own of Billy Bragg on tour in Russia, there is an interview with Russian pop icon Boris Grebenshikov. The interviewer asks Boris what he thinks of Billy covering a Buzzcocks tune. Boris lazily drags off his cigarette and then says, in surprisingly clear English, "I think that everyone remembers best the music they were listening to when they were 17. For me, it was The Beatles. For Billy, the Buzzcocks."

And for me it was any number of synth pop new wave bands. I have a reminiscent soft spot for power chords and lyrics full of youthful energy and a bored malaise at the same time. Bands such as The Cure, The Psychedelic Furs, Modern English, The Smiths, New Order, etc. will forever hold a special place in my heart.

Apparently, My Favorite were 17 in 1987 just like me, because their album revels in those same moods. It is a joyous celebration of youthfulness and also a cry of anger at the frustrating boredom of life in suburbia. Plus, their musical references are all familiar touchpoints of the 80's: Peter Hook bass riffs on 17 Berlin, Tommy Tutone guitar riffs on Go Kid Go, Depeche Mode synths on Let's Stay Alive, Human League dub and keyboard drone on Modulate. Heck, Between Cafes sounds like a lost track from Louder Than Bombs by The Smiths....

So aside from successfully invoking the spirit of the 80's, My Favorite also make music quite in that same style. But that is not to say that they sound fully derivative. On the contrary, they sound fresh , as if they were contemporaies of all of those bands. As if they took dub and reggae and punk and mod and threw it all in a blender with some desperation and some isolation and some frustration at the soulnessness of modern culture and wound up in the same musical place.

My perception that this is so might have something to do with the "not too slick but still pretty clean" production values of the album. It's not overproduced, nor is it underproduced. But it seems -- amateurish? I can't quite pin it down, but there is something about the recording value that seems ... innocent, for lack of a better word.

At any rate, i must admit that it is entirely possible that i am full of crap here. I often tease Malimus about his love of The Drive-by Truckers. I listen to their music and all i hear is recycled 70's power chord riffs. However, the lyrics speak to Malimus and his upbringing in the rural south, so the music means something to him.

My Favorite sing songs about the stupidity of growing up in America's suburbs -- simultaneously both bored out of your mind from lack of anything to do and frightened of The City and what parents have said about that nightmarish place. The safety and isolation of the suburbs may be comforting to adults, but it bored me. Fear and boredom -- these two emotions mix in memories of my teenage years, when i listened to music that sounds like My Favorite. And i get the same feeling listening to this. This music speaks to me, and to my past.

So maybe it is fully derivative. I cannot tell. I would ask Malimus to judge it as well, but he dislikes synthpop strongly and there is no reason to subject him to this music.

All that said, My Favorite can really write a fun little pop song. I think that songs like Between Cafes and Working Class Jacket are real pop gems. There is a catchy melody, a little hook to the guitar riff, and endearing vocals from Andrea Vaughn. Despite their obvious New Wave references, the real strength of the band is its ability to write quality tunes.

So there you go. I really really like this album. It is exciting music that reminds me of being 17. If you too grew up with New Wave, or if you are really into the retro-80's scene, then this will probably appeal to you.

 
         
 
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