| It was raining in Paris when we got to Les Bains Douches.
                  I  wonder what that means, "Les Bains Douches"? I also wonder
                  why  the French bother to put the letter "s" on the end of
                  words,  but don't ever bother to pronounce it! It seems
                  like  such a waste of time... At any rate, Les Bains Douches is a small dive, typical
                  of rock clubs the world over -- dirty floors, too much old
                  graffiti on the walls of the restroom. One difference is that,
                  this being France, the cheap beer is even crappier. The French
                  are not  known for their beer, and there is a reason for this.
                  So i grab my $2 glass of crappy French beer and saunter to
                   the middle of the club to listen. Joy Division go on late, no surprise there -- what rock club
                   in what country has ever run on time? They go on late, and
                  angry. Apparently they have not had a  great day, and being
                  a punk band they are going to take it out  on their instruments. From the opening chords of Disorder they are sheer fury 
                  and passion. Peter Hook thwaps away at his bass as if it had 
                  personally killed his mother. Bernard Sumner's guitar wails 
                  in agony as he thrashes it around, flinging power chords like 
                  he is shaking dirt off of the instrument. Drummer Stephen Morris 
                  plays frenetic and fast and furious. And Ian Curtis, well, he is there and not there. The vocals 
                  are sung as if he is a million miles away, and yet they are 
                  infinitely personal. As if he is terribly distracted by something, 
                  and at the same time confiding his deepest secret to you, his 
                  new best buddy. There is immediacy and distance both intertwined 
                  in his voice. They played a great set too, tearing through fabulous versions 
                  of Transmission and Shadowplay. All fury, energy, 
                  screeching guitars, and distant yet immediate vocals. And they played Love Will Tear Us Apart, as i knew they 
                  would. But it's a different version. Instead of mourning loss, 
                  this is the opening declaration of insanity. Dischordant keyboards 
                  trill and squeal. Ian mutters as if he is angry. The whole song 
                  is faster, as if played under the effects of delerium. The second to the last song was a great version of These 
                  Days-- the guitars powerchord their way along, and Ian almost 
                  displays some joy as he sings "these days" over and over again.... 
                  Brilliant! A great show, but too short. Nine songs. Nine perfect and beautiful 
                  songs, and then finished.....   Okay, so i wasn't really at this concert. Actually i was a
                   nine year old living in a small farming town in north central
                   Ohio when Joy Division played this show. But i wish that i
                  could have  seen it. Joy Division are one of those rare bands
                  that did so  little but did it so well. Perhaps it is because
                  they ended  so soon -- they didn't have the time to grow old
                  and complacent  and record Bridges To Babylon.
                  Instead, they left  but a brief testament of passion and musical
                  brilliance. I wish that i could have seen them. This disc does a pretty 
                  good job of presenting their "sound" to me. It is so clear that 
                  i can put my earphones on, close my eyes, and really feel 
                  like i was there. This performance captures the energy that 
                  the band obviously had in their live performances. Their records might have spawned the entire "goth" phenomenon, 
                  but live, they were obviously a punk band -- loud, fast, furious, 
                  and without a care in the world. They poured their souls into 
                  this performance. Why -- were they extra angry that day? Or 
                  were they so happy that it spilled over into their music and 
                  made them play what must have been the show of their lives? I guess i'll never know. Nor does it really matter, all that 
                  matters is that it was a fabulous concert, and this is a really 
                  nice recording of it. This is actually the second "bootleg" of Joy Division that 
                  Factory Records has released in the past few years. The first 
                  disc, Preston shows a brilliant band being confronted 
                  by poor sound in a crappy venue. There they are weary with frustration. 
                  Here, the venue was great, and due to a radio broadcast thankfully 
                  preserved these long years, we have a crystalline soundboard 
                  recording of the show. In order to fill up the CD, there are six tracks taken from 
                  a later performance in Holland. That recording is not so clear. 
                  In fact, it sounds as if taken from a high generation cassette 
                  recording. The sound is a little on the tinny side, and there 
                  is some tape hiss that just could not be removed. The overall 
                  effect of this second recording is that Joy Division are made 
                  to sound like a heavy metal band. That's a shame, because that Holland show sounded brilliant. 
                  The second track is a long, drawn out version of Atrocity 
                  Exhibition. The tinny tape hiss-filled recording on the 
                  guitars reminds me of the time that i saw The 
                  Fire Show in concert -- there is that level of paranoia 
                  present in the music. Of course, that has always been Joy Division's 
                  creepiest song in my opinion. I mean look at the name, and then 
                  consider that Ian Curtis repeats "this is the way we step inside" 
                  over and over in the song. Ewww.... But Joy Division provide the necessary catharsis with the see-sawing 
                  guitars and plodding rhythm of Digital. It is a great 
                  moment of energy, and it infects the crowd. In the break before 
                  Joy Division jump into Leaders Of Men, you hear the crowd 
                  chanting and screaming. It sounds like people were having a 
                  blast! I think it's great that Factory Records have given us this 
                  snapshot of a wonderful band playing two good shows. Malimus, 
                  on the other hand finds it creepy. "It's just like Tupac," he 
                  said, when i explained what this CD was. I guess so. I mean, 
                  on the one hand it's awesome to have these recordings. On the 
                  other hand, it does seem like capitalizing on the death of Ian 
                  Curtis. Sure, he's been dead a long time now, but would these 
                  recordings, however brilliant, have been released now if he 
                  were a doddering and bitter old fool? I dunno. Another thing that struck me while listening to this CD: it 
                  is fairly obvious that Joy Division were an influence on one 
                  of my current favorites, The 
                  Dismemeberment Plan. The way that keyboards are used, especialy 
                  the high pitched "laser shot" sounds on Love Will Tear Us 
                  Apart seems very like the off-key keyboard sounds that The 
                  Plan use to great effect in their live 
                  shows. On the whole, i heartily endorse this CD. It's a good starting 
                  point for people unfamiliar Joy Division. And for true fans, 
                  these recordings are a must. |