|  | Squid:  |  | Evidently, I am failing in my mission to report on movies. 
                  I am covered in shame.  *smack, smack*  (And powdered sugar, too, evidently.)   Okay, so we've got one of the great adventure stories of all 
                  time, The Count of Monte Cristo, originally written 
                  in book form by Alexandre Dumas. Even though that part's French, 
                  and the movie takes place in France, and people drink wine out 
                  of big brown bottles and write with quills and wear shirts with 
                  frills, this movie still makes a good adventure flick. Not necessarily 
                  a good action/adventure flick. The word "action" now either 
                  means explosions (it got that meaning in the '80's) or people 
                  on wires suspended in air kicking other helpless people in the 
                  face in slow motion while the camera pans around them (it just 
                  got that meaning recently). Not that I don't like action, I 
                  do. It's just that there's no kung fu on wires and no high explosives 
                  in this movie. Okay, it's pretty long too: over two hours. And that part right 
                  after the beginning, when our hero's in solitary confinement 
                  at the prison of the Chateau d'If, it sort of drags. Still, 
                  it's establishing mood. You may not appreciate it at the time, 
                  but before you leave, you will.  See, there's this guy, Edmond Dantes, and he's a pretty innocent 
                  character. Still, he and his friend, the noble-born Fernand 
                  Mondego, have a reasonably swashbuckling time on a merchant 
                  ship, and are good buddies, as the movie opens. They put in 
                  at the island of Elba where the British have imprisoned Emperor 
                  Napoleon. Edmond innocently suggested to go there when their 
                  ship captain became deathly ill, he innocently takes a letter 
                  from Napoleon to deliver, innocently gets promoted by the merchant 
                  company chief to captain of the ship for his sheer guts to put 
                  in at Elba, which allows him to innocently move his timetable 
                  to get married to his true love up two whole years.  Of course, he's going down. Still, it's interesting to see the transformation of the character 
                  from a happy-go-lucky guy who gets betrayed by those whom he 
                  thought he could put his trust in (his shipmates, his friend, 
                  the law). Sixteen years can give a reasonably bright guy like 
                  our hero time to cook up one hell of a revenge. When he alights 
                  from his balloon (in his new identity as the Count of Monte 
                  Cristo) at the party he's throwing for all his betrayers, you 
                  look up at the screen and go, "Ooh, here comes the Devil!" Truly great adventure. No big-big name actors, so the characters 
                  have a little room to breathe. It's not too convoluted; apparently 
                  there was some extensive re-telling of the story in order to 
                  get it into movie form, but now I want to read the original 
                  story, and that's saying something for a French author. Somewhat 
                  melodramatic at times, but that's the price you pay for good 
                  adventure. You can only have your hero brood for so long before 
                  he's compelled to get up and crack some bones in the name of 
                  righteous, white-hot revenge.  Good payoff, go see it. |  |